Petrushka, Jeu de cartes
Valery Gergiev conductor
Total duration 58m
Catalogue number MAR0594
Vladimir Ryabenko Producer & Engineer
James Mallinson Producer
Recorded at Mariinsky Concert Hall, St Petersburg
14 January 2014 (Petrushka) / 26, 29 & 31 December 2009 (Jeu de cartes)
SACD Hybrid in jewel case with booklet Notes in English / en Français / auf Deutsch / на русском языке
Compatible with all CD players - SACD layer includes multi-channel 5.0 and stereo mixes
Reviews of past Gergiev performances
***** ‘This was demonstrated time and again during the concert: in Stravinsky's lithe dictionary of neoclassical techniques, Jeu de Cartes’
The Guardian [Gergiev with the LSO, 2009]
‘Petrushka was given in its original 1911 scoring – as opposed to the 1947 revision. This afforded a rare opportunity to savour Stravinsky's first thoughts, with its orchestral palette glittering rather more than it does in its more widely performed successor’
Classical Source [Gergiev with the LSO, 2007]
“Stravinsky’s Jeu des cartes achieved a more convincingly balletic lift-off’
The Financial Times [Gergiev with the LSO, 2009]
This product is available for pre-order and will be released on 19 October.
The Mariinsky Label presents Valery Gergiev’s first recording of Stravinsky’s iconic Petrushka score, paired with one of the composer’s hidden gems, the witty Jeu de cartes.
Stravinsky’s score to Petrushka is one of his most celebrated works and a product of his famous collaboration with Diaghilev that also produced The Firebird and Rite of Spring. Presented here in the composer’s original 1911 version, it tells the story of the loves and jealousies of three puppets who are brought to life during the 1830 Shrovetide Fair in Saint Petersburg. Its colourful music typifies Stravinsky’s work during the period and is characterised by the famous bitonal ‘Petrushka chord’.
A ballet in ‘three deals’, 1937’s Jeu de cartes stems from Stravinsky’s life-long enthusiasm for cards; poker in particular. A commission by Lincoln Kirstein and his newly formed American Ballet Company, it was composed during Stravinsky’s neoclassical period. The whimsical music focuses on the deceitful Joker who thinks himself unbeatable, thanks to a chameleon-like ability to become any card. During the work the Joker wages battle with other hands, but after two victorious rounds and the appearance of a third, he is vanquished by a Royal Flush of Hearts. Stravinsky regularly read La Fontaine during the composition of Jeu de cartes, choosing this quote to include in the score: ‘We must wage continual war against the wicked. Peace in itself is a fine thing, I agree, but what use can it be with enemies who do not keep their word?’